How Do You Do That?

A fellow blogger recently asked about the dresses that are in the Cloth Paper Scissors magazine, specifically about the patterns, dress patterns, and if the dresses are wearable.

Re my process, I use actual dress patterns, 2 per dress, purchased from a fabric store adhered to vinyl with any medium of choice. My preference is Liquitex Matt Medium, but there are a bazillion others to choose from.

The patterns on the dress patterns (that is a difficult one to figure out, yes?) are achieved in a multitude of ways depending on what my direction is for that specific piece.

Both Clowning Around and Lemon Drop have paint, graphite, and charcoal. Tuitti Fruitti is collaged tissue paper.

And no, those specific dresses are not wearable. Though I have worn a skirt made from this material for openings I wouldn’t recommend it to anybody. And I would never subject any kid to that torture. It is made out of vinyl, which does not breathe. Which means it is very hot. And the fabric doesn’t bend, so standing is the only option.

I hope this helps. And I hope you have a creative day.

Clowning Around, 2010
Kim Radatz

Lemon Drop, 2010
Kim Radatz

Tuitti Fruitti, 2010
Kim Radatz

Never To Give Up, Kick Against the Pricks

I’ve been working on more envelopes; here are 3 of them.

Like any ol' spin doctor, taking words out of context changes their original meaning.  These 3 pages came out of a heavy handed religious book from the 1940's.

Food for thought.

Never To Give Up, Kick Against the Pricks, 2011
Kim Radatz

Deep Down Below The Fire Sill Lives
2011
Kim Radatz

I hope you have a creative day.

Show and Tell Sunday-Double Edged Sword

I have been working towards a show a C. Emerson Fine Art, and instead of delivering something from a current series, I wanted to try something new and different.

Which brings me to the double edged sword.

It is great to be challenging myself to try something new, as in doing so the challenge is also pushing me forward towards new and wonderful possibilities. But, it also leaves me feeling nervous and vulnerable.

Tell me, does the same thing happen to you?

And if yes, how do you deal with it?

In the meantime, here are some pix of my new piece, Letters to My Lover (Bleeding Out), along with my artist statement.

For many years I used the house form as a metaphor for people. That concept evolved to include clothing as an actual house for our bodies. Taking the concept one step further, I removed the form altogether using only the skins. Like cast off tattooed bits, the skins remain to tell a story long after the moment has passed.

With Letters to My Lover (Bleeding Out), I am reintroducing a form, this time a simple envelope, but one rich with its own history and symbolism. In tandem with the memories of the viewer the piece becomes a unique experience to each individual. 

Letters to My Lover (Bleeding Out)
2011
©Kim Radatz

Letters to My Lover (Bleeding Out), detail
2011
©Kim Radatz

Letters to My Lover (Bleeding Out), detail
2011
©Kim Radatz

Whaddaya think?

And no matter what you do, I hope you have a creative day!




P. S. The gallery owner loved the piece. :-)

Something New to Play With

I am hard on equipment and recently killed one of my sewing machines. It lived a very long and productive life, first with the previous owner of over 30 years and then five years with me. No regrets or complaints about that work horse.

But, I cannot be without a backup sewing machine since much of my work is stitched.

So my 10 year old Viking goes to back up position and my brand spanking new Viking Sapphire takes center stage.

Woo Hoo, wonder what will come from this. Only time will tell.

Until we meet again, may you have a creative day!

Q and A Mondays- Are you a 2D or 3D artist? Or both?

I recently wrote in my sketchbook, “I am a 3D artist.”

That statement came after a show in which I had both 2D and 3D work and I felt the 2D didn’t hold up to the 3D work.

It is a train of thought I have considered before.

Am I one or the other?

Need I be one or the other?

I know we artists all struggle with multiple personalities in our work and it is important for the work to be consistent, but does that mean it must be only 2D or 3D? Or does a consistent theme trump all else, no matter what the materials or method of making?

I think the latter is correct.

But, I could use your feedback.

What do you think? And do you struggle with similar thoughts?

Happy 4th!

May it be happy and safe and filled with fun!

Questioning Our Allegiance, Kim Radatz

A dress I made a few years back inspired by The Pledge Of Allegiance.  Questioning not only the various versions, but also the rules on how to treat a flag and our choice to ignore many of them.

I Quit

Yep, I know I am supposed to persevere through all challenges as happiness comes at the end of great challenges. Right?

Well, sometimes.

And at other times things are just an uphill battle.

Which has been the case this past week with the new series I am working on.

So, today I shall follow my own advice from the Cloth Paper Scissors interview:

What do you do when a piece isn’t working out the way you want it to?

"Keep forging ahead. Making a piece requires and open dialog with the materials. It’s not just about me; I am a partner in this dance called art. I have to listen to what is working and if its not, adjust accordingly. If a piece continues to be a struggle I move on to another piece."

Which is exactly what I am doing today, moving on from this new series. I will return to it eventually but we need a break from each other right now.

Happily I already have a new piece started in my head. Time to get out the tools and bring it to fruition. I’ll keep you posted.

Until then, may you have a creative day!