Little White Lies

I took the Encaustic class at Penland School of Crafts that I mentioned in an earlier post a year ago knowing I wanted to work 3 dimensionally, but it took me this long to finally get a piece done.

Sometimes work just has to percolate for a while.

And the main piece that has been brewing and stewing all along is Little White Lies.  It took me that long to bring it fruition because I struggled with what I wanted.  I am a big proponent of working in tandem with each piece, but I need to have some aspects in mind before starting or I could flail around wasting time.

Some of the issues I struggled with were:

• Should I have a wheel or not?  At first I thought the piece should be that literal.  But as I struggled through one wheel after the next, each looking just like a wheel that Fred Flinstone might have on his car, I started to reconsider.  The wheel barrow was stopped in its tracks, after all, so why have a wheel.
• What should I fill it with, if anything?  One thing I wanted to use were the little fortune tellers from my childhood, and something I use repeatedly in my work.  At this point I had thought the entire piece should be a pale pink for a sense of innocence, but the little voice in my head kept telling me, "no" to both.
• I landed on just using text to fill the bucket part.  So, what should the text look like?  How much text should there be? And what should be made of?

I decided to keep it pale white with a gray wash to highlight parts of it, and to use large flat text that is attached to the bucket with just a little overflowing out of it.

Here is an image of it in progress:

Kim Radatz
Little White Lies, 2013

And a detail near the completion:

Kim Radatz
Little White Lies, detail, 2013

Better photos to follow, just a quick peek for now.

What do you think?  Any input would be greatly appreciated!

May your day be a creative one!

Kim