I am too exhausted to write.

Sorry.

But while I catch my breath and rest my feet I've got a few images to share with you of the C. Emerson Fine Arts booth.

Thank you, Lori, for bringing my work.  I am honored.


C. Emerson Fine Arts
Kim Anderson, Lee Basford, Clayton Chandler,
Dirk Dzimirsky, Rocky Grimes, Kyle Hughes-Odgers,
Justin Nelson, Danile Mrgan, Kim Radatz



C. Emerson Fine Arts
Kim Anderson, Lee Basford, Clayton Chandler,
Dirk Dzimirsky, Rocky Grimes, Kyle Hughes-Odgers,
Justin Nelson, Danile Mrgan, Kim Radatz



C. Emerson Fine Arts
Kim Radatz

No, as in no more for now.

Until the next time, may you be filled with creativity!

Abstract Thinking



Or maybe better said, sometimes you just have to punt.

I came to Miami for Art Basel.

I scoured the catalogs and brochures.

I made detailed notes.

I planned day by day.

Then I started my day by visiting with a friend.

And then I blew off the list.

I love lists, but it just felt right to drop everything and visit the Miami I knew while I lived here.

I moved to Miami from New York in 1977 and left for Tampa in 1998. A lot of years to do a lot of things.

I worked here. I was educated here. I met and married my husband here. I helped raise my step-children here. Essentially, I grew up here. Not as in years, though, naturally that happened too, but in maturity. I owe much to Miami.

So, today I visited the places I where I had lived, where I worked, the colleges I attended, and some of the people I met along the way.

Bittersweet.  And wonderful.

Tomorrow will be a killer day catching up with all of the “should’s” from today.

But sometimes it is more important to LIVE life than it is to do the stuff we “should” do.

I’m glad I did.

I know the emotions that I experienced today will come out in my work.

I can’t wait to see what it will be.

If I am able, I will post some work that I have seen tomorrow night.

Until the next time, may all be well with you.

 

Image from Internet



Miami, Here I Come- SCOPE It Out!

2 weeks from today I’ll be driving to Miami to participate in the SCOPE show during the chaos in Miami known as Art Basel.

I am very excited. A little scared too.

I’m honored that Lori Johns of C. Emerson Fine Art invited me to participate. It is reassuring to know that people believe in my work.

And it is a going home of sorts as I lived in Miami most of my adult life.

But the scary part?

Well, it’s always a little unnerving to show work, especially since this is such a world renowned show. Akin to running naked, as I have mentioned before.

Also, I will be seeing people, specifically former teachers and fellow classmates, most of whom I haven’t seen since leaving Miami.

I graduated from Miami-Dade Community College with my AA. Then Florida Internatioanl University with my BFA. And finally the University of Miami with my MFA. Which took me 16 years to complete. Longer than average, but I needed that time to grow as an artist.

And grow, I have.

So I shall relish the tingling going on in the pit of my stomach and forge ahead.

I’ll hope the show is a huge success for all of us.

And I’ll enjoy spending time with old friends and making new memories with them.

This time though, it’ll be the new, more confident artist that you know. Instead of the rather shy, insecure one that left way back when.  And that, my friends, can only be a good thing!

On that happy note, I shall sign off.

I'm happy to be back and apologize for the long absence!

Until the next time, may you have a creative day!

Never To Give Up, Kick Against the Pricks

I’ve been working on more envelopes; here are 3 of them.

Like any ol' spin doctor, taking words out of context changes their original meaning.  These 3 pages came out of a heavy handed religious book from the 1940's.

Food for thought.

Never To Give Up, Kick Against the Pricks, 2011
Kim Radatz

Deep Down Below The Fire Sill Lives
2011
Kim Radatz

I hope you have a creative day.

Show and Tell Sunday-Double Edged Sword

I have been working towards a show a C. Emerson Fine Art, and instead of delivering something from a current series, I wanted to try something new and different.

Which brings me to the double edged sword.

It is great to be challenging myself to try something new, as in doing so the challenge is also pushing me forward towards new and wonderful possibilities. But, it also leaves me feeling nervous and vulnerable.

Tell me, does the same thing happen to you?

And if yes, how do you deal with it?

In the meantime, here are some pix of my new piece, Letters to My Lover (Bleeding Out), along with my artist statement.

For many years I used the house form as a metaphor for people. That concept evolved to include clothing as an actual house for our bodies. Taking the concept one step further, I removed the form altogether using only the skins. Like cast off tattooed bits, the skins remain to tell a story long after the moment has passed.

With Letters to My Lover (Bleeding Out), I am reintroducing a form, this time a simple envelope, but one rich with its own history and symbolism. In tandem with the memories of the viewer the piece becomes a unique experience to each individual. 

Letters to My Lover (Bleeding Out)
2011
©Kim Radatz

Letters to My Lover (Bleeding Out), detail
2011
©Kim Radatz

Letters to My Lover (Bleeding Out), detail
2011
©Kim Radatz

Whaddaya think?

And no matter what you do, I hope you have a creative day!




P. S. The gallery owner loved the piece. :-)

Q and A Monday- How? and What?

Judy Hayes, a fellow Minnesotan, asked the other day, “How did you get started making pattern paper dresses? And, “What inspired you?”

First, what inspired me?

Long story short, I started out life as a potter, and pottery deals with containment. Not that I was a production potter, but I do know how to throw on the potters wheel and have made my own dishes, cups, teapots, etc., so the whole concept of “containment” in deeply entrenched in my brain. Plus, all of us are essentially “containers” moving through the world. Our bodies literally contain our thoughts, ideas, and memories, in addition to the stuff of our physical beings. So, I‘d have to say that concept is the jumping off point for the dresses and almost all other work that I do.

On using actual dress patterns as material, well, that takes a bit longer to explain.

I collect things and vintage dress patterns have long been on my list of favorites. It probably started with the patterns that my Mom used while I was growing up. Both of my sisters and my Mom were great seamstresses. Me on the other hand, not so much. I loved looking for fabric and patterns and wearing clothes that reflected my design sensibilities, I just wasn’t good at sewing. In high school I actually had some of my clothes made by a local seamstress. So the sewing machine as my go to tool didn’t happen by choice.

Fast forward approximately 20 years to when I was invited to do a themed show about “transparency.” My original idea didn’t work out as I had hoped and with a looming deadline, Plan B was hatched. I thought to use some of my vintage patterns but quickly realized that I needed two matching patterns for my vision to work. Nix the vintage patterns and buy new ones. The next hurdle was how to stabilize the patterns to withstand the actual sewing process and survive getting delivered to the gallery. Which I eventually figured out through much trial and error.

I have been making them for 6 or 7 years now and I have fine tuned the process even more. In the past few years I have moved beyond dresses into other forms including a swing set and a boat, with still others yet in the works. I’ll share pictures of the newer work in the near future. In the meantime, here are pictures of the swing set and boat.

Games People Play by Kim Radatz,

installed at

Gala Corina’s iluminación, 2007

Wishful Thinking by Kim Radatz

installed at

C. Emerson Fine Art in St. Petersburg, 2010

Thanks so much for asking, Judy.

And may all of you have a creative day!

Hello, My Friend!

First, let me apologize for being away so long. I am sorry. Life gets in the way sometimes and you just have to deal with it right then and there. And that is what I have been doing as of late, which has kept me out of my studio for an extended time. But things are settling down and soon everything will be back on track.

Pending deadlines are a big reason that I am getting back on track, and you know how I love those. One deadline is for a group show about portraits coming up at C. Emerson Fine Art, in St. Petersburg. I love the challenge of a themed show as they often take me on paths I never would have considered. And that is indeed the case with this show. But more on that later when I have something concrete to talk about. Which will be soon, I promise.

For now, my next deadline is a blog post for Show and Tell Sunday. Yes indeed, getting back on track. And I do have some exciting news to share with you. But that will have to wait until Sunday. Which is tomorrow. Not too long a time wait.

So, I shall sign off for now and hope to see you tomorrow.

Until then, wherever you are, and whatever you are doing, may it be wonderful!