Thinking about Absolutes and Wondering Which Camp You Are In



Image from the Internet



There aren’t many absolutes in my world.

No blacks or whites.

Too many wonderful middle greys in between to put me squarely in one camp or the other.

But a week ago today I found myself rethinking this philosophy. Maybe I do have some absolutes after all.

My step-son, Brian Radatz of The Ride Factory in Ybor City, won best in his class in a prestigious motorcycle show.

His class was Radical. Even if you aren’t a motorcycle enthusiast it is easy to imagine this would be a large and difficult class to win.

Yet win he did. On his very first time out of the gate.

Hmm, why did this Cinderella story come true for Brian? And why am I blogging about it on an art blog?

Because, you see, motorcycle shows are no different than art shows, it is just the objects that are different.

No matter what the object is, no matter where the object is made, say in a house or in a garage. Objects they are. Make we do.

And when we choose to put these objects up for review by our peers, we are allowing them to say which object they think is the best.

Judges are just like the rest of us; each of us has a preference. Some of us prefer fine craftsmanship.  Every piece meticulously crafted and put together. While others’ prefer a message.  Something that speaks to our heart and soul. And sometimes it’s a combination of the two, though it is my belief that we lean closer to one way or the other. Content or Craftsmanship.

Which makes it our camp.

I’m not saying either one is better, just that we have our tendencies, and it’s good to know our preference so we can fine tune that part of our work.

Brian’s bike was in no way better built than the other motorcycles. Not high tech either. But he had a concept and he followed that concept all the way through. And the judges saw what he was doing and liked it.  (And I am thrilled they did!)

The stars aligned for Brian this time.

I hope he understands that the next time the judges might walk right past him with nary a look. And I hope too that he doesn’t take it personally. He can’t, because it isn’t personal. It’s not about his work so much as it is about the judges’ opinion.

He needs to have clarity in his vision and follow it through, no matter what anybody else says.

And that goes for any type of show we enter.

So, no matter what you make, and no matter what camp you are in, I hope you knock ‘em dead the next time you show. And if not, well, we all know that you did your best.

Happy creating to you!

I AM ...Going to Take a Nap Today



I am very happy to say that the First Night show was a huge success.

We started handing out t-shirts at 5:00pm and didn’t stop until midnight when we watched the beautiful fireworks display courtesy of First Night St. Pete. After that we broke down the show and made it home shortly after 3:00am.

Up at 7:00 and I’m already dreaming about a nap. :)

I am honored that so many people were moved by my installation, some to the point of tears. Very gratifying to know that something I make can resonate so powerfully with another person. The best part about this crazy life called art. Thank you to each of you who participated!

I took photos of as many people and their “I AM” shirts as possible before my camera battery died. Many that I didn’t get to take have promised to send me pictures. I’ll post them all during the upcoming week.

For now, here are a few-



I AM going to kick cancer's butt
(I hope you do!!!)

 Happy New Year to you, my friends!

Miami, Here I Come- SCOPE It Out!

2 weeks from today I’ll be driving to Miami to participate in the SCOPE show during the chaos in Miami known as Art Basel.

I am very excited. A little scared too.

I’m honored that Lori Johns of C. Emerson Fine Art invited me to participate. It is reassuring to know that people believe in my work.

And it is a going home of sorts as I lived in Miami most of my adult life.

But the scary part?

Well, it’s always a little unnerving to show work, especially since this is such a world renowned show. Akin to running naked, as I have mentioned before.

Also, I will be seeing people, specifically former teachers and fellow classmates, most of whom I haven’t seen since leaving Miami.

I graduated from Miami-Dade Community College with my AA. Then Florida Internatioanl University with my BFA. And finally the University of Miami with my MFA. Which took me 16 years to complete. Longer than average, but I needed that time to grow as an artist.

And grow, I have.

So I shall relish the tingling going on in the pit of my stomach and forge ahead.

I’ll hope the show is a huge success for all of us.

And I’ll enjoy spending time with old friends and making new memories with them.

This time though, it’ll be the new, more confident artist that you know. Instead of the rather shy, insecure one that left way back when.  And that, my friends, can only be a good thing!

On that happy note, I shall sign off.

I'm happy to be back and apologize for the long absence!

Until the next time, may you have a creative day!

Rules Were Made to Be Broken

Today I read a blog post by Seth Apter of The Altered Page on blogging tips for artists and found it interesting, so I am sharing it with you.  Give it a read, I think you might find it interesting too.

One thing Seth said really stood out for me. It reads:

The idea of posting interesting content, day after day, can be daunting to many artists, who would often rather be in the studio than writing blog posts. However, if you think of your blog as an extension of your creative endeavors, the two activities can seamlessly combine.

Spot on. What a great way to think about writing, as an extension of your own work. I will share this advice with my non-writing artist friends to see if it will help them overcome their writers block.

Later in the post he advises to always include an image with your blog post. Advice I have heard often before, especially since we are visual artist, but a rule I choose to break for a variety of reasons.

First of all, I get overwhelmed from the visuals that confront me on a day to day basis. It’s like a visual vacation to see only the text and let my imagination make up the visuals, if they are even necessary.

Also, blogging in and of itself takes time. To feel like I must include an image each time overwhelms me with guilt and guilt is something I am trying to eliminate from my life.

But more importantly, it takes time to get a good image, time I don’t always have. Work is my main focus, allotting some of that time to a blog photo is not something I am willing to do. Granted, if you are selling from your blog good images would be a necessity, but I don’t fit in that category.

With my blog I am thinking out loud and learning from others in the process. At the same time I am fine tuning my own voice and growing as an individual and as an artist. But in order to find my own voice, I must listen first and foremost to myself. And sometimes that means I’ve gotta break the rules.

May you swim upstream a little today!

Failing Forward

I just read Julie Fei-Fan Balzer‘s great post about being rejected and it inspired me to revisit the subject again because it is so darned important.

When I was a budding artist I thought the work I did was SO FANTASTIC, that I would blow everybody’s mind with my creativity. So when I was rejected, it was a crushing blow. The first time I was rejected from a show I cried for hours. Now, bazillions of rejections later, being rejected is a tiny blip on my radar screen.

Why? Well, first of all, I no longer place such importance on one piece.  Nor do I have such lofty feelings about my work. I like some pieces better than others, and I know some are indeed better than others, but each piece is just one part of a collective whole. I’m not banking ALL of me on any one piece. So, if it doesn’t sell, isn’t selected, gets a bad review or…. (fill in the blank), it is okay as it is just one small part of me.

Don’t get me wrong, I am completely devoted to my work, but I have come to learn that what other people think about my work has nothing to do with how I feel about it.

Why do we artist put so much pressure on ourselves to be the cream of the crop each and every time? Let’s face it; we can’t win every race we run. Or hit home runs every time we are up to bat. Why can’t we just be happy by being the best that we can be in that one moment?

I think this is where rejection and failure earn their keep.

They teach us that tenacity trumps talent and to keep on working.

That we need to face our fears and forge ahead, especially in doubt.

That we need to take risks and have the courage to fail.

That maybe we should throw caution to the wind and just do it. Right or wrong, let the chips fall where they may.

Or, that maybe we were swan diving into the wrong pool and to research more carefully the things we apply for.

That we need to hone our skills in all aspects of the business of art.

And, through it all, they help us find our own voices and grow as individuals and as artists.

They are just part of the process and are wonderful teachers, if we listen carefully.

I am so very glad to have spent time with both.

How about you?

I hope you have a creative day!

Q and A Mondays- Finding Your Own Voice

A friend of mine started grad school this past year and periodically asks me for input.

Recently we were talking about her thesis, which isn’t due for a couple of years, but it’s never too early to start thinking about that, me thinks.

So I suggested she start brainstorming with words. Just start yelling them out, (writing them down too, lest they slip out of her mind) and see what words appear. I suggested she do this often to see if any words reappear. After a while a trend will indeed appear and that would be a good place to start, with these random words and thoughts. From there she can build upon them to find out what she wants to say with her work. Like a road map for her art.

How about you; How have you gone about finding your own voice?

How Do You Do That?

A fellow blogger recently asked about the dresses that are in the Cloth Paper Scissors magazine, specifically about the patterns, dress patterns, and if the dresses are wearable.

Re my process, I use actual dress patterns, 2 per dress, purchased from a fabric store adhered to vinyl with any medium of choice. My preference is Liquitex Matt Medium, but there are a bazillion others to choose from.

The patterns on the dress patterns (that is a difficult one to figure out, yes?) are achieved in a multitude of ways depending on what my direction is for that specific piece.

Both Clowning Around and Lemon Drop have paint, graphite, and charcoal. Tuitti Fruitti is collaged tissue paper.

And no, those specific dresses are not wearable. Though I have worn a skirt made from this material for openings I wouldn’t recommend it to anybody. And I would never subject any kid to that torture. It is made out of vinyl, which does not breathe. Which means it is very hot. And the fabric doesn’t bend, so standing is the only option.

I hope this helps. And I hope you have a creative day.

Clowning Around, 2010
Kim Radatz

Lemon Drop, 2010
Kim Radatz

Tuitti Fruitti, 2010
Kim Radatz

Save the Date

BRAVA at Salt Creek Artworks.

The show opens Friday, April 29th at 6:00.  I hope to see you there!

Artists Helping Artists

I met with Alison Swann Ingram recently to discuss my participation in an upcoming show she and her business partner, Carl Johnson, are hosting at their business, Franklin Street Fine Woodwork. I first had the opportunity to work with Alison in 2007 at the Gala Corina show, iluminación, in South Tampa.

When we met this past Tuesday she told me what a life changing experience iluminación had been for her. As a board member of Gala Corina I was very pleased to hear that. It gave me chills when she retold her story to me. Makes the heart grow in size to see how things you have participated in help others along on their life path.

Now she is in a position to turn the table and give other emerging artists the same opportunity.

Artists helping artists. It’s a wonderful thing.

If you live in the Tampa Bay area, come on by Friday, March 11th from 5:00 to 10:00 to check out the art and share in some good times.  I am honored to be in this show and will hope to see you there!

1609 Artist Invitational at Franklin Street Fine Woodwork, 1609 North Franklin Street  in Tampa.

Hump Day Happy Hour

Looking at other people's art makes me happy, but I don’t always allow myself the time to search it out. So I’ve decided to set aside part of a day to do a little research and share some of my finds with you each week.

I'll be looking forward to seeing you each Wednesday at 5:00!

Today I want to share some work I saw at the Morean Arts Center this past weekend.  Fabulous work by a local artist! And great titles too. Enjoy.

Karen Tucker Kuykendall, Keep on the Sunny Side, Always on the Sunny Side…and gimme some biscuits and mustard…Songs Along the Highway #2.

Karen Tucker Kuykendall

Ted Larsen

Do you ever see art and think, “I wish I had made that.”?

It happens once in a while for me, and it happened again just the other day when I saw this work by Ted Larsen.

I love this work. I love the linear qualities, the colors, and the surface.

Beautiful work. Check it out.

Ted Larsen